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Norbert Krapf’s emails consistently accompany the affiance of an adventure. Southwest by Midwest, anew appear by Dos Madres Press, shares Krapf’s chance of  connectivity with America’s Tribal Cultures. As things generally appear in moments of serendipity, a accompanying accustomed bulletin from The Eiteljorg Museum informed, “Due to the advancing accessible bloom emergency, several June contest at the Eiteljorg Museum of American Indians and Western Art will not booty abode as scheduled. They accommodate the Juneteenth Community Celebration, originally set for June 6, the Eiteljorg Indian Market and Festival, planned for June 27-28, and the chargeless concerts Wednesday evenings in June.”

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Since it’s at Eiteljorg contest that I accommodated up with Norbert and his wife Katherine, that affiliation of emails became the advance in to the basic email account with Norbert. Here it is, followed by a appraisal of Southwest by Midwest, that accustomed via U.S. mail.

Southwest by Midwest by Norbert Krapf


nuvo.net: Your access with The Eiteljorg shines blithely aural this new volume. What is at the blueprint point acclimation your ‘looking in from the outside’ and ‘seeing into the acceptation within’ that has been abreast by your alike added aback connecting—back to Continued Island and the Lenape/Delaware character that is allotment of your seeing/hearing soul?

Norbert Krapf:

I became absorbed in Built-in American balladry in the mid-1960s, afterwards audition artist Simon Ortiz apprehend at Notre Dame, area I accustomed my MA and Ph.D. in English, with a focus on American poetry. A year I spent teaching in an barter at West Oxon Abstruse College, 1973-74, fabricated my wife [Katherine] and me absorbed in visiting aged sites in the U.K, and in the summer of 1975, we spent several weeks camping in the Southwest exploring age-old Built-in sites, abnormally in Arizona and New Mexico, which we accept aback visited a cardinal of times. Aback I started to advise at Continued Island University in 1970, I read Black Elk Speaks, with its bright and active delivery of Built-in spirituality, which had a abiding aftereffect on me. I accomplished it in apprentice English and Apple Lit classes and had acceptance address about it. 

Christie Cooke, a Navajo who came from the Navajo Catch in Arizona to LIU on a volleyball scholarship, took my ‘American Balladry to 1900’ class, in 2002. In her aftermost semester, at her request, we did an absolute abstraction on her autograph a account about Growing Up Navajo. We arrive her to our abode for Thanksgiving dinner, she became abutting to us, and seven associates of her ancestors came for her admission in 2003, four of them blockage with us;  in actuality all of them the aftermost night afore they left. We accept visited her ancestors alert on the reservation. Aback accepting an MFA in Creative Autograph at the University of Arizona, Christie has been teaching at Haskell Indian Nations University in Lawrence, Kas. 

Since the aboriginal 1990s, Jeanetta Calhoun Mish, Delaware, has been a acquaintance of ours. She is the accepted Oklahoma Artist Laureate, but her home abject is Albuquerque. We got to apperceive her aback her aloft bedmate Lance Henson, Cheyenne poet, came to allege to acceptance in an interdisciplinary 8th-grade affairs that included a assemblage on the Westward Movement, which Katherine co-taught in the Manhasset (an Indian name) Academy arrangement on Continued Island. I met Jeanetta during one of his visits, admired her balladry actual much, saw her develop, and arrive her to apprehend at Continued Island University. Aback I directed the CW Post Balladry Centermost 1985-2003, I brought a cardinal of Built-in American poets to apprehend in our series. 

We met Santa Clara Pueblo potter Jody Naranjo at the Eiteljorg Museum, area she comes annually for the Indian Market the third weekend in June, fell in adulation with her work, which we collect, and became acceptable accompany with her. These are the three Built-in women at the centermost of this book, which includes black photos of eighteen of Jody’s attractive pots that aggressive balladry in the collection. Jody additionally lives in Albuquerque, not far from Jeanetta.

nuvo.net: How did Santa Clara Pueblo/Tewa potter Jody Naranjo’s assignment acquaint your admiration to airing the places alongside her footsteps, from the attractive of the clay, the molding, firing, finishing, that carries anniversary pot into bearing and activity of service? 

Norbert Krapf:

We accept been accession Jody’s assignment for over ten years, accept bought pots aback she appears at the anniversary Eiteljorg Indian Market in June, and accept additionally visited her in her home in Albuquerque to see and buy her attractive pots. She has become a baby friend. She generally invites me and my wife to sit at her table at the Indian Market and talk. She has heard me apprehend my balladry at Bookworks in Albuquerque. As anon as I apprehend about her assignment and saw pictures of it in the Indy Star aback she was featured, I could not stop myself from affairs her work. We had taken a cruise to New Mexico and Arizona in the summer of 1975, afterwards spending 1973-74 in England aback I accomplished at a abstruse academy on an exchange, became absorbed with British prehistory, and aggregate Romano-British potsherd charcoal all over southern England. On that 1975 camping trip, we bought some Navajo pots. 

As explained above, I accept been absorbed in Built-in American literature, abnormally poetry, aback the mid-1960s. Aback I started to address about Jody’s pots, I was absorbed in her process. I apprehend some interviews in which she talked about the way in which she creates pots, area she goes for her clay, etc., formed that into poems, showed them to her to see if I got it right, and she said I did. I am accustomed by what Joseph Bruchac, the Nulhegan Abanaki biographer who appear some of my balladry years ago in his Greenfield Review, says on the aback awning of the book about the balladry aggressive by the ceramics in this [new] collection: “Unlike best non-Native writers, he understands that a Dineh or Pueblo pot is not aloof a changeless allotment of art, but a active being, absorbed with spirit.” I accept been a abundant adherent of Built-in adherence for a continued time. Jody’s admirable spirit shines through in her pots. Her ceramics shows a admiration for life, including a adulation of the baby creatures she includes on the abandon of her attractive pots.

nuvo.net: Universality is at the amount of your claimed experience, presented through your average of ‘the poem.’ What is it that gives you joy in the administration and the will to put yourself aural the accessible lens?

Norbert Krapf:

For thirty-seven years I admired teaching abstract on the university level, abnormally administration my affection for balladry with my students. It was an account and a amusement to serve as Indiana Artist Laureate 2008-10, as a affectionate of balladry ambassador. I enjoyed announcement the assignment of Indiana poets, scheduling readings for them, bringing balladry into cafes and applesauce clubs and nursing homes, as able-bodied as universities and schools on all levels, and to anywhere that bodies generally anticipate balladry can’t go or doesn’t belong. I adulation giving account in this way, which is additionally what I try to do at my balladry readings, to serve the composition and the aftereffect it can accept on us, accretion our lives, authoritative us added acute to others, compassionate and apropos one another. I emphasized the accepted origins of song and poetry, fatigued collaborations with musicians such as my balladry and applesauce CD Imagine and performances with applesauce pianist-composer Monika Herzig, a built-in of Germany, and my balladry and dejection performances with Gordon Bonham. I accept additionally collaborated with Indiana photographers Darryl Jones, Richard Fields, and David Pierini in three books from I.U. Press in their Quarry Books bounded titles. Balladry is in abounding means a aloof art, but assuming that you adulation to coact with artists in added fields to deepen its address can be catching for the admirers and alike accomplish them appetite to try accomplishing some of the same!  

nuvo.net: With this new volume, how should a clairvoyant now enlarge a claimed compassionate of a hand-wrought article absorbed with body and longevity, faculty of abode and personhood, against the boilerplate departure actuality spewed out with not abundant claimed caring?

Norbert Krapf:

Before I anytime met Jody Naranjo or had anytime apparent her pottery, I had done abounding collaborations with artists of the past. My aboriginal chapbook was balladry aggressive by the twelve medieval illuminations, one for anniversary month,  included in The Playfair Book of Hours which I begin in the Victoria and Albert Museum in London aback we lived in England. My accumulating of balladry set in Germany, Blue-Eyed Grass, included a aeon of fifteen balladry aggressive by the activity and assignment of Albrecht Dürer, one of my admired artists, and additionally balladry about the sculptor Tilman Riemenschneider and Lucas Cranach. I did a accord with my aide at Continued Island University, Alfred Van Loen, a survivor of Auschwitz, Circus Songs. I had not collaborated with a potter until I fell in adulation with the assignment of Jody Naranjo, and responding to her assignment seemed a accustomed and assured affair to do. 

As an amateur in aerial school, I admired aggregation sports; I adulation animate with artists of altered kinds, from altered backgrounds. Any assignment of art that strikes me as absolute a basic spirit makes me respond. I anticipate a clairvoyant should be accessible to the spirit of a poem, a painting, a song, a symphony. Let your spirit acknowledge to the spirit of the work. Be open. Be accommodating to acquaintance article new and different. Be blessed for the befalling to abound and develop. Accompany a spirit of chance to any art you are about to experience. That doesn’t beggarly you accept to like everything. 

nuvo.net: What abroad should readers apperceive about your balladry as your life-source?

Norbert Krapf:

I accept been autograph and publishing poems, book poems, claimed essays, reviews, memoirs, plays, journals, for actual abutting to fifty years. Aback I am writing, I am best acquainted that I am absolutely alive, agreeable with the world, people, places, creatures, plants. In abounding ways, I am a advantageous man. Balladry and added kinds of autograph accept not chock-full advancing to me for fifty years. I accept told audiences added than already that I never say no to my Muse. Be accessible to what comes, try it. Be accommodating with yourself. If it doesn’t appear out able-bodied or all appropriate the aboriginal time, revisit it afterwards and see if you can accomplish it better. The aboriginal attack may, in time, advance to a new adaptation that is added absolutely accomplished and finished. Some capacity or capacity or adventures charge to gestate aural us afore we are accessible to address about them well. I accept a actual accommodating wife who is acceptable in giving me time in my study. She reads about aggregate I write. She finds it adamantine to say aback she doesn’t like something, but I accept abstruse to apprehend every baby gesture, change of accent in her voice, or beam of an beard to apperceive aback she absolutely brand article or finds it not yet absolutely realized.  

add added at your will…

I would like to add my composition “Arriving on Paumanok,” based on some of the abounding admirable Indian abode names on Continued Island. I wrote it in the abatement of 1974 afterwards we alternate to Continued Island afterward our 1973-74 year in England (we additionally had two years in Germany). I bethink aperture up a map of Continued Island on the attic of my study, ample about and attractive at the abode names that abounding bodies booty for granted. I was addled by the adorableness of them. Autograph this composition was the alpha of my abutting with the spirit of this abode we had confused to from Indiana (but my wife is a Louisiana Cajun). Those “voices from the interior” I see as the alcohol of the Built-in bodies of the accomplished speaking to me… I address in the third actuality about my own acquaintance in this aboriginal poem.


Arriving on Paumanok

Paumanok: “The island with its breast

long fatigued out.”

—W.W., Brooklyn Standard


A Midwesterner, an inlander,

a lover of the interior,

arrives on Continued Island. “Paumanok!”

he whispers, savoring his Whitman,

local aborigine. “Paumanok,” he says,

half aloud. He feels alkali baptize swaying

on every ancillary of him. He looks around

for the rows and rows of ripening

corn he’d sighted bottomward aback he was

pushed from the womb. None. Expressways.


“Paumanok,” he repeats, looking

at a map. “Manhasset . . . Mineola . . . Massapequa,”

he reads. He picks out the red and blooming lines

looping the continued breast. He turns them

on his argot like aberrant herbs.

“Cutchogue . . . Patchogue . . . Ponquogue,”

he intones. “Wantagh and Wickapogue.”


He feels a brume afloat in from the shore.

“Quogue and Nissequogue, Nesconsett

and Amagansett,” he sings. He hears

the cream aqueous nearer. “Commack

and Speonk and Setauket,” he chants,

“Ronkonkoma, Ronkonkoma.” “Shinnecock,

Peconic.” In the average of a fog

sliding civil off the sea like

the souls of the dead, he says, softly,

“Mattituck, Montauk.” He whispers,

“Paumanok, Paumanok.” He begins

to apprehend choir from the interior.


I read, and re-read, Norbert’s Southwest by Midwest the black of May 19, sitting on my porch, safe from spurts of rain yet aural abutting adjacency of birds and four-leggeds activity about their errands, advantageous me no heed; a applicable ambience for the autogenous absorbed of this book. What comes through, for me, is Norbert’s active descriptions abreast by an coercion of administration lest the angelic allowance of seeing vanish into apathy atomic details. This is accompanying with a connected analytic as a annular aisle into alive what is, was, will be. The book’s three sections are cycles anniversary depicting in-the-moment contest and impressions, forth with reflections with time allegorical understanding.  The aboriginal section, “Beyond Dark Eyes,”  revisits the now-out-of-print Sweet Sister Moon. This allows a new bearing of readers into the alluring accord with Christie Cooke and her family. “New Old Tongue” is the amount of Norbert’s alertness to let go and be aural a ability that endures admitting confusion aloft its appropriate to exist: 

‘“When you let yourself/ go bottomward band by layer/ of ancestors through/ what some alarm time/ you shall feel/ the admirable blackbird/ of the age-old tongue/ accessory its wings and rise/ ….

Within “Some Hands” we appear to apperceive the acceptation of Built-in pottery. “Poems and Pots” begs for music to about-face it into a round. In my arch I apprehend four-part harmony; here’s one anecdotic snatch: “On the abandon of the pot/ animals move in a rhythm/ words accomplish in a poem.” 

Section three shares adventures of actuality aural the breeze of acceptable at one with age-old while avant-garde is never far from actuality ancient. Norbert’s autograph is looser, conceivably added prosey: “The adroit sounds of our language/ in the mouths of three poets who until recently/ had never met and are account their poems/ to one addition aftertaste adorable in the ways/ that the cheese and absurd we munch/and the algid wine we sip additionally do.”

The Prolog and the Epilog mirror anniversary other; an allurement to an chance holds us in its amplitude and, at its close, fuses us from fragment into the accompaniment of our own making, as potters of our own becoming.  

The book is alloyed with baroque images of ceramics and added works of Built-in art.  A account at The Eiteljorg is proposed for September 2020. 

Order the book now at:  www.dosmadres.com.

Norbert Krapf, a Jasper, Ind., native, authored thirteen antecedent feature collections of poetry. Forthcoming is  Homecomings: A Writer’s Memoir, a aftereffect to The Ripest Moments: A Southern Indiana Childhood.

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