L Articulation Five Secrets About L Articulation That Has Never Been Revealed For The Past 2 Years
Chuck is currently autograph a account of his activity in jazz, and this is the aboriginal of three excerpts from it.
Though an ocean boating may complete attractive, the North Atlantic on a almost baby ship, accepted algid and asperous alike in the summer. But the adieu had been exciting. And the seven canicule from New York anchorage to landfall in Cork, Ireland anesthetized bound enough. A day later, we docked in Le Havre, in France, across my old academy roommate, Paolo Lionni, best me up and collection me and my bass to Paris. I’d become abutting to Paulo and his sophisticated, artistic, European-American family. His father, Leo was a acclaimed artist, illustrator, biographer of children’s books, and art administrator of Affluence Magazine. I’d been accustomed on vacations in their Greenwich, Connecticut home and enjoyed Nora Lionni’s acceptable hospitality. They had a alcazar in Italy, and Paulo was a cosmopolitan, multi-lingual guy who was acquisitive to acquaint me to the pleasures of Europe.
On the drive to Paris, I could hardly accommodate my excitement. A stop at the Rouen Cathedral, across an agency concert was in progress, was overwhelming. The afterimage of this architecture in the bosom of the old French boondocks was added able than I could acquire imagined, but it was the music that brought me to tears. The agency was so loud, and the improvisatory affection of the music so spontaneous, that I couldn’t advice crying.
Paolo capital to accomplish abiding my aboriginal afterimage of Paris was abundantly spectacular, so we collection up Avenue de la Grande Armée, L’Arc de Triomphe looming in advanced of us, about L’Etoile and bottomward Champs-Elysées. I don’t anticipate I’ve apparent a added admirable burghal afore or since. I begin a allowance in the Auberge de Londres on Rue Bonaparte, a brace of blocks against the Seine from Boulevard Saint-Germain. Cheap auberge accommodation in Paris were cramped, basal and depressing, but aggregate abroad was enchanting, so I spent as little time as accessible in the hotel. Paolo and I sat at Les Deux Magots watching the apple canyon by, and occasionally affair added Americans.
My additional night in Paris, Paolo arrive me to a soirée at blur administrator Roger Vadim’s accommodation on Rue Vielle du Temple, abreast Les Halles. The allurement was directed to me as a applesauce musician, and so my bass and I accustomed to cine cameras and lights, and the beauteous Annette Stroyberg, again Mrs. Vadim. I was arrive to comedy with Kenny Clarke and Bud Powell.
Bud’s music had been the ancestor for so abundant of what we played that I was awe addled at the idea. I’d alone heard Charlie Parker on records. (I’d planned to apprehend him in 1955 at Storyville in Boston, but he died that anniversary and I absent the chance.) Now I was arena with a allegorical active antecedent of our music. However, it was Kenny Clarke who was the best inspiring. His arena had the agreeable agnate of what the dancers at Performing Arts alleged elevation: the apparition that laws of force were briefly suspended. Kenny’s exhausted fabricated arena with him feel weightless. Of course, bass addendum acquire to be played with solidity, and that requires effort, but aback Kenny played with you he aggregate that accomplishment in a way that aerial you. You could comedy choir afterwards choir and not feel tired.
Bud, on the added hand, was so aberrant that I didn’t apperceive what to accomplish of him. His arena meandered, afterwards the backbone I’d heard on his records, and he had a absent beam that either stared accomplished you or looked at you with alone fractional recognition. But he was the abundant Bud Powell, and the bodies admired his history.
Years earlier, Bud had been baffled in a action and had several stays in brainy hospitals across he’d been treated, apparently badly. Now in Paris, Bud’s wife Buttercup Edwards dosed him with antipsychotics, authoritative him befuddled and overweight. She kept him abroad from the one bottle of cognac that would about-face him alike added morose. The man I met that night was a carapace of the man I had heard on record. Those films from July 1959 apparently abide in some annal and I’d be analytical to see if watching them now would anamnesis the off-centeredness I acquainted in Bud’s arena and the joy I accomplished with Kenny Clarke.
Buttercup went everywhere with Bud. She was his administrator and caretaker, and afterwards she heard me assassin me a brace canicule afterwards to comedy with Bud at his approved Le Chat Qui Pêche gig; it was a cavern on Rue de la Huchette, off Boulevard Saint-Michel in the Latin Quarter. Both added than I’d dared to apprehend and a abstruse disappointment, the gig paid 500 old francs a night (the agnate of $10)— abundant for the auberge allowance and meals. The bagman was Granville “G.T.” Hogan, a actual acceptable amateur in the Philly Joe Jones style. G.T., was a Texan whose expansive, affable personality fabricated it easier to accord with Bud’s disability to accomplish absolute agreeable or agreeable contact. Our ancestors friend, artisan Marc Blitzstein, came through Paris and chock-full by to apprehend me comedy with Bud, sending aback a bulletin to my association about this angular white kid arena in a dive with a fat atramentous guy. The account charge acquire been amusing. (There is a account of me from this aeon on the awning of a Bud Powell CD, although I don’t comedy on that recording and never did almanac with Bud.)
I spent several months active and arena in Paris, but by 1960 I was aback in New York. I had gotten to apperceive Don Friedman, a acceptable pianist who’d afresh confused to New York from Los Angeles. He had a recording arrangement with Riverside Annal and asked Joe Hunt and me to almanac with him. Don was affable with Scott LaFaro, the ablaze bassist from Geneva, New York. Scotty had spent time in LA across he and Don met. I’d heard Scotty some time afore in Boston and approved to appoint him in conversation, alone to be brushed off with disinterest. Added recently, I’d heard him in a leash with Bill Evans and Paul Motian at an admiral club in the Village above from across the Blue Note now stands. It was artlessly the best music I’d heard.
Bill’s arena was abnormally rhythmic— bull and precise—swinging like crazy and, at the aforementioned time, black with activating gradations and nuances of touch, accent and articulation. It batten to me in added means than any added applesauce pianist. Art Tatum was all-powerful and abounding of variety, but Bill’s arena was added developmental, beneath decorative. Erroll Garner was blithesome and endlessly inventive, but as accomplishing as his music was, it was all about the piano part. Bass and drums were alone accessory —the music would be the aforementioned with or afterwards them.
There were added bebop pianists whose music I loved—Horace Silver, who fabricated bold, percussive music with ablaze development and absorbing directness, admitting to my aerial it lacked pianistic dash and was consistently loud. Monk’s different access to the piano, alike added percussive than Horace’s, seemed so boundless the awe-inspiring ability of his music eluded me at the time. I’d acquire been appreciative to acquire played with Red Garland, Hank Jones, Barry Harris, or Tommy Flanagan. Their music had endless qualities I admired but none of them had the across of Bill’s to my ears.
Bill had captivated added classical piano literature. Elements of Chopin, Scriabin and who knows what abroad were chip into his music, abounding through it, absolutely allotment of it afterwards affected pastiche. And his appearance in leash arena bare bass addendum in the piano, abrogation amplitude for the bass to be heard and advice appearance the music. How could I not anticipate this was across I capital to be?
Hearing Bill’s leash broadcast my apperception of what a applesauce piano leash could do. His arena was developing—showing adventurous elements of impressionistic accord while application the clarity, adorableness of sound, dash of touch, and amazing adroit array I already knew to expect. And Scotty was arena an integrated, alike aggressive role, abandoning accepted bass genitalia for several choruses at a time—exploring what the role of the bassist in a baby accumulation could absolutely be, agreeable in adapted counterpoint with Bill and accomplishing it with afire acceleration and define accuracy. The abstraction of a piano leash was actuality reinvented afore me with the role for the bassist not aloof an accompanist but as a accurate agreeable partner.
Ahmad Jamal had featured bassist Israel Crosby’s adroitness and adapted apparatus in his affecting leash recordings from Chicago a brace of years earlier. There were able-bodied developed roles for the bass and drums in that music too. But it was anxiously controlled, and its abiding affection was allotment of its attraction. What Bill and Scotty were accomplishing (with Paul Motian’s accessible participation) was added improvisational and advised to acquire and booty advantage of ad-lib details. There was alignment there, but it was hidden beneath a appearance of ample improvisatory freedom. What Bill’s music may acquire lacked in accessible structure, it acquired in exciting, alike alarming spontaneity.
I admired Scotty abundantly and envied his job with Bill. He was a virtuoso bassist and an amazing musician. I capital to apperceive him. At the almanac date with Don, Scotty showed up to appointment and heard me comedy a brace of tunes. The old cool-to-nonexistent accession I’d gotten aback aboriginal affair him some time afore angry instantly warm, and we were quick accompany in a way that bodies who allotment agnate agreeable sensibilities can be.
In July 1961 I was aback in Europe, on bout with Jerome Robbins’ Ballet U.S.A. I bethink a abstract moment at an alfresco trattoria in Spoleto, Italy— august in the dazzlingly ablaze afternoon sun. I was animated to myself and couldn’t anticipate why I was so cheerful. I had a letter from my acquaintance Paula Robison in my anorak abridged that I’d accustomed that morning, and was savoring the amusement I’d acquire account it aback I had the time to apply and adore it. That moment had arrived.
Dear Chuck, Terrible news. Scotty was dead on July 6th in an auto blast on the New York State Thruway…
A twenty-five-year-old and his aerial academy associate had airtight into a timberline at 10 A.M. To best bodies it was almost newsworthy. To me, it was a defining moment.
Turning credibility bake in memory. I bethink the street, the restaurant, the food, and the anorak I was wearing, but best of all I bethink the unacceptability of my thoughts. I didn’t appetite to accept to opportunism, but the activity and captivation of it was persistent. I hadn’t been amenable for Scotty’s death. I hadn’t absurd him gone, God knows I had never admired for it, alike secretly, but I longed to be across he’d been.
Scotty had been a aerial presence—a handsome, confident, gifted, and acclimatized musician—and he’d accustomed himself in a able accord with Bill Evans, the artist whose assignment represented my accomplished aspirations. I’d accepted Bill’s music for bristles or six years, heard him in being and on recordings, and developed to adulation his arena above all added music.
I was hit at the aforementioned time by two intense, adverse emotions: acrimonious answerability about cerebration added about myself than the acquaintance I’d aback lost, and a blessed apprehension of the agreeable chance I was abiding was aloof about to acreage on my doorstep. A acceptable friend, one of the abundant virtuoso bass players of his generation, had died violently. And God absolve me, one of my aboriginal thoughts as I got over the shock of the account was selfish. I accomplished the position that Scotty had created and active commandingly—might able-bodied become mine.
Photo credit: Judy Kirtley
L Articulation Five Secrets About L Articulation That Has Never Been Revealed For The Past 2 Years – l articulation
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